Sonoma State University
Digital Imaging
Arts 210

Location:

Art 102A

Class Schedule:
 

Tues./Thurs. 1 - 4

Office Hours:

Tues./Thurs. 12 - 1 by appointment

Instructor:
  John Sappington - john@basearts.com
Overview
Schedule
Resources


Student Work Library


Course Syllabus

Online Syllabus:  http://www.basearts.com/curriculum/SSU.DigitalImaging.htm
Online Outline: http://www.basearts.com/curriculum/DigImagingOutline.htm

Recommended Texts in...


Digital Imaging (general theory)

The Digital Dialectic: New Essays on New Media, Peter Lunenfeld, The MIT Press, 1999
Snap to Grid: A User's Guide to Digital Arts, Media, and Cultures, Peter Lunenfeld, The MIT Press, 2000

Photography/Adobe Photoshop :

Photography, Barbara London, John Upton, Ken Kobre, Betsy Brill, Prentice Hall
Photography, Revised Edition, Henry Horenstein, Russell Hart Prentice Hall

"Photoshop CS2 for Windows and Macintosh", Elaine Weinmann, Peter Lourekas, Peachpit Press 2005
www.peachpit.com

"The Photoshop CS2 Book for Digital Photographers", Scott Kelby, New Riders Publishing, 2005
www.scottkelbybooks.com


Design:

Design Writing Research Writing on Graphic Design
, Elen Lupton & Abbot Miller Phaidon, 1996

Graphic Design Cookbook: mix and match recipes for faster, better layouts, Leonard Koren & R. Wippo Meckler, Chronicle Books, 1989Web Style Guide, Patricia J. Lynch and Sarah Horton, Yal
e University Press, 2001

Looking Closer 2, Critical Writings on Graphic Design, Edited by Michael Bierut, William Drenttel, Steven Heller, and DK Holland, Allworth Press, 1997

the abc's of (symbols - triangle, square, circle) : The Bauhaus and Design Theory, Ellen Lupton and J. Abbott Miller, editors, 1999 *reprint.

History of Graphic Design, Philip B. Meggs

Typography:

Texts on Type, Critical Writings on Typography, Steven Heller and Philip B. Meggs, Allworth Press, 2001

The Thames & Hudson Manual of Typography, Ruari McLean, Thames & Hudson, Ltd., 1980

Great Type and Lettering Designs, David Brier, North Light Books, 1992.
Creative Typography, Marion March, North Light Books, 1988.
Type Design, Color, Character & Use, Michael Beaumont, North Light Books, 1987.
The New Typography, Jan Tschichold, University of California Press, 1995


Description:
An introduction to the basic principles and practices of digital production for fine art or personal use. Students will develop and enhance their abilities in the creation of digital artworks. Course introduces use of computer generated imagery, scanning technology, and digital photography.


COURSE CONTENT
Outcomes and Objectives:

Upon completion of this course, the student will be able to:
1. Create digital images with the computer.
2. Utilize a digital camera and the resulting images to produce digital artwork.
3. Operate a scanner and prepare resulting images to produce digital artwork.
4. Properly store and backup digital files.

Topics and Scope:
I. Image File formats
A. Vector
B. Raster
C. File Types and Use

II. Digital Camera and Scanner
A. Hardware Control
B. Resolution
C. Exposure
D. Basic Editing and Image Manipulation Functions

III. Computer Based Imagery
A. Basic Digital Tools Introduction
B. Resolution
C. Basic Editing and Image Manipulation Functions

IV. Transferring and storing digital artwork
A. Presenting artwork on the computer
B. Writing files to cd or dvd.

V. Critiquing Work

VI. Copyright Issues

Assignments:
Assignments may include any or all of the following:
1. Create a digital photogram.
2. Create composited digital images.
3. Make a presentation of digital artwork.
4. Create a backup of digital images to cd or dvd.

Textbooks:
STUDENTS PLEASE NOTE: DO NOT BUY TEXTBOOKS before checking with the SRJC Bookstore.
These titles are representative only, and may not be the same ones used in your class.

EVALUATION:

40% of student grades will be based on class participation.  Students must attend class in order to effectively participate.
50% of student grades will be based on the completion of assignments.  These assignments will not be graded for skill or content, but will be evaluated for technical completion. 10% of the student grade will be determined by the final portfolio presentation.

A PORTFOLIO OF COMPLETED WORK WILL BE MAJOR BASIS FOR COURSE GRADE. OTHER
FACTORS: ATTENDANCE, EFFORT, GROWTH, AND CLASS PARTICIPATION.



Required Supplies / Equipment:

Students are required to obtain backup media to store class example files and work in progress.

Optional storage media types are:
100MB/250 Mb Zip disks-
CD ROM/DVD-R, Write-once or Re Writable: Approx. capacity 700+MB-
Flash drives, memory sticks, etc..  

An accessible email account is required.  This can be accessed through the Lab: and may be a free account like those avaiLab:le from Hotmail, Yahoo, Gmail, Freemail, Excite, etc.  The instructor will assist students in obtaining an e-mail account if necessary. 

Check this e-mail account at least twice a week.  General class announcements will be reported via e-mail.

ATTENDANCE POLICY:


You are expected to attend all of every class meeting unless they have received prior permission from the instructor.
Attendance will be taken at the beginning of each class meeting. Anyone absent when attendance is taken will be assumed absent from the class.   If you are late to class it is your responsibility to make sure your attendance is acknowledged by talking to the instructor. 

More than three absences will affect a student’s grade; the fourth and each subsequent absence will drop a student’s overall grade one portion of a letter grade (e.g. from a full B to a B-). Repeated tardiness will also affect a student’s overall grade; every three tardies will count as equal to one absence.

If you are intending to drop the class, please notify the instructor.  You should not assume that the instructor will automatically drop you because of absences.  If you stop attending classes and you do not drop the class, and the instructor has not dropped you from the class; the instructor may be required to give you a grade of F for the class.

SSU Add Drop Policy

SSU Policies:


There are important University policies that you should be aware of, such as the add/drop policy; cheating and plagiarism policy, grade appeal procedures; accommodations for students with disabilities and the diversity vision statement. Go to this URL to find them. (http://www.sonoma.edu/uaffairs/policies/studentinfo.shtml).

Digital Imaging
Schedule
(subject to change)

 

  Week 1
 


Lecture:

Digital Technology




SylLab:us Overview
Expectations, Requirements, Objectives, Best Practices.

Begin fundamentals of visual phenomenology.

Digital Media Primer


Assignment:

Minimum 5 images in any form - representing your interests.

Email john@basearts.com with your current email address - include SRJC Digital Imaging in the subject line.


ANNOUNCEMENT:

There is an art department meeting for students on Thursday, Aug. 24 at noon in room 102. All art majors should try and be there. Please announce this the first day of class.


Photo, printmaking, painting, sculpture and ceramics classes all require use of labs outside of class time. It is worthwhile for students to enroll in the appropriate 199 or 399 for their class. They will get
credit for this time spent in the lab, and it will insure that they are allowed to work on Saturdays. Students should add these classes during the add/drop period.

Reading:

Review - Course Outline
Review - Internet Resources 

Artists:

Ivan Sutherland
Charles Csuri
David Em

Search Sites:


  Rhizome.org - http://www.rhizome.org
  Week 2

Lecture:
What is digital media/new media/electronic arts?


Lab:
Photograms: objects of art - bring in a collection of objects *to be described for use on the scanner.


Assignment #1:

2 Scanner Photogram/Compositions - raster based image compositions.

Reading:
Artists:

Harold Cohen
Lillian Schwartz
Joan Truckerbrod

Search Sites:





LABOR DAY HOLIDAY

NO CLASS MONDAY

  Week 3

Lecture:
Vector / Raster Graphics
File Types

Lab:

Scanning continues...

Reading:

"What New Media is Not", Lev Manovich
http://www.manovich.net/bio_00.htm
http://www.manovich.net/
http://en.wikipedia.org/wiki/Lev_Manovich

Artist:

Nam June Paik
Lynn Hershman-Leeson

George LeGrady
http://www.mat.ucsb.edu/~g.legrady/

Randall Packer


Search Sites:

Mobile Networks - 06
- Julian Bleecker -
http://www.techkwondo.com/
http://www.spectropolis.info/bleecker.php
http://www.medienkunstnetz.de/artist/bleecker/biography/
http://www.com.washington.edu/rccs/bookinfo.asp?ReviewID=213&BookID=182

cell phones

http://www.walkinginplace.org/converge/exchange.htm
http://www.takeo.org
http://www.takeo.org/nspace/ns012/ns012i_com.htm

http://www.urbanintimacy.org/weathercall/

blogging

http://www.elearnspace.org/Articles/blogging_part_1.htm
http://www.webreference.com/authoring/languages/xml/rss/intro/
http://blog.lib.umn.edu/blogosphere/
http://slashdot.org/
http://www.bigbold.com/rssdigest/
http://wordpress.org/

wiki

http://c2.com/cgi/wiki?WelcomeVisitors
http://c2.com/cgi/wiki?WardsWiki

http://c2.com/cgi/wiki?WikiBase

http://wiki.org/wiki.cgi?WhatIsWiki - this is general from google.
http://c2.com/cgi/wiki?SisterSites

http://www.wikiindex.com/Wiki_Index
http://www.wikiindex.com/Category:Wiki_Language
http://meta.wikimedia.org/wiki/Names - better page of definitions with links to origin etc...



  Week 4

Lecture:
Photoshop:

Best Practices
Background Layer - Duplication
Adjustment Layers

Levels

Curves

Working between files

Automation Techniques

Graphics Applications - variety

Lab:


Assignment#2:

Create 2 - contact sheets of all photograms and assorted files /
could be substituted with mockups/ misuse of the contact automation toward additional composites
(be sure to check the retain layers radio button)

Reading:

SF Zine - Fest (from Daniel) http://www.sfzinefest.com/
Post Secret - Web link from James - www.postsecret.com

"Principles of New Media",
Lev Manovich


Artists:


Jaron Lanier
Allan Sekula - wasn't discussed but interesting guy
Sergio Eisenstein

James Turrell + links

Search Sites:

Color Perception

Cambridge Tutorials http://www.cambridgeincolour.com/tutorials/color-perception.htm

Camera Obscura

Defined by wikipedia http://en.wikipedia.org/wiki/Camera_obscura

by Robert Leggat http://www.rleggat.com/photohistory/history/cameraob.htm http://brightbytes.com/cosite/what.html

Digital Imaging - underlying technical

Camera Sensor
Cambridge Tutorials http://www.cambridgeincolour.com/tutorials/sensors.htm

Bit Depth
http://www.cambridgeincolour.com/tutorials/bit-depth.htm

  Week 5 Lecture:

Photoshop cont...
Channel Mixer
Selections


Editing


Lab:

Working with multi-layered docs.

Assignment #3 :

2 - Composites /raster based graphics

Reading:

"Principles of New Media"

basearts - Internet Resources listing - NET ART


Artists:

Roland Barthes - "Image, Music, Text", "Elements of Semiology", "Pleasure of the Text"
Ted Nelson - Project: Xanadu

http://www.iath.virginia.edu/elab/hfl0155.html
http://xanadu.com/
http://ted.hyperland.com/


Marcos Novak
Jon Ippolito
Mark America
Jodi - Jodi.org

Search Sites:


ZKM - Center for Media and Technology
http://on1.zkm.de/zkm/e/

Media Art Net
http://www.medienkunstnetz.de/medienkunstnetz/

HCI Sites
http://www.hcibib.org/hci-sites/

Centre national d'art et de culture Georges Pompidou
http://collection.centrepompidou.fr

A tribute to Nam June Paik
http://www.centrepompidou.fr/Pompidou/Manifs.nsf/Prochainement/AAA657824F88E11BC12571BD002ADA8E?OpenDocument&sessionM=2.6.2&L=2

  Week 6

Lecture:

Text and Vectors - manipulations

Lab:



Reading:

Artists:

Marshall Mcluhan
Philip Meggs intro to the mechanical bride http://www.gingkopress.com/_cata/_mclu/_meggs.htm - gingko press
Wikipedia
http://en.wikipedia.org/wiki/Marshall_McLuhan

John Maeda
http://www.maedastudio.com/
http://dbn.media.mit.edu/
http://www.maedastudio.com/indexold.html
http://acg.media.mit.edu/people/maeda/



Search Sites:


Emigre
http://www.emigre.com

Gingko Press
http://www.gingkopress.com

Bauhaus Archive of Design
http://www.bauhaus.de/english/index.htm

  Week 7

Lecture:

Typography



Lab:

Assignment #4 :

2 - Composite compositions /vector based graphics (*includes text)


Reading:

Artists:

Matthew Carter
Jan Tschichold
Guillaume Appollinaire

Rudy Vanderlands
Zuzana Licko
Zuzana Licko and Rudy VanderLans - (Emigre)
http://www.aiga.org/content.cfm?contentalias=zuzanalickoandrudyvanderlans

Search Sites:

Johannes Gutenberg
http://en.wikipedia.org/wiki/Johannes_Gutenberg

The golden ratio,
http://en.wikipedia.org/wiki/Golden_ratio
http://mathworld.wolfram.com/GoldenRatio.html


  Week 8

Lecture:

Printing
Photoshop: Printing

  • Resolution (review)
  • File Preparation
  • Color Management
  • Color Modes

  • Papers
    Surface/Finish
    Texture
    Color
    Weight



Lab:

Assignment
#4.1 - Working with type - additional - work up a font face of your own design - functionality is not required.

Additional Resources : Typography

- Parts of the Letter
- Typography History Sampler - http://www.basearts.com/curriculum/typohist/
- Misc. http://www.basearts.com/curriculum/typoGraphyGraphics/

Discussion:

Walter Benjamin,
"Work of Art in the Age of Mechanical Reproduction"

Artists:


Search Sites:


Printers - Materials - Supplies

PS Print (LA based commercial printer)
http://www.psprint.com/

Preparing files for print - Pagemaker, Illustrator
http://www.psprint.com/helpcenter/preparingyourfiles/digitalcheck_pm.asp

Urban Digtial Color (SF, printer)
http://www.urbandigitalcolor.com/urbandigital/udcframe.html

Digital Art Supplies (San Diego based, print supply )
http://www.digitalartsupplies.com


Northbay Photo Supply (Santa Rosa, based photo supply)
http://www.photosupply.com
location map
http://www.photosupply.com/aboutusindex.htm

A great site on color and its impact on psyche, the body, the culture, the planet, design, etc.
http://www.colormatters.com/entercolormatters.html -

Quad Tone Ink Links - True Grayscale printing on an inkjet printer.

B&W Inkset is a set of 4 archival black inks in which 3 have
been diluted with a clear base stock to produce 3 shades of gray and 1
black.

http://www.inksupply.com/bwpage.cfm

MIS ULTRACHROME EQUIVALENT CARTRIDGES - These cartridges contain MIS 7600
Ultrachrome equivalent Archival color ink. Use for making fine art prints
with high fade resistance. It is for both matte and glossy media.

MIS PRO CARTRIDGES - These cartridges contain MIS PRO Archival color ink.
It is an improved version of the MIS Ultrachrome Equivalent ink. It has
less bronzing and higher gloss. Use for making fine art prints with high
fade resistance on Epson C84, C86, C88, 4000, 7600, 9600 printers. It is
for both matte and glossy media. It can be used for other Epson prints,
but a profile will be required.

http://www.inksupply.com/epsoncarts_xx.cfm

http://www.inksupply.com/quadtone.cfm

Below is the workflow provided by Paul Roark for making Variable Tone
prints using an Epson printer and MIS VM or VMS inks. The MIS variable-mix
ink and the adjustment curves produce beautiful prints that can be either
warm-tone, neutral or cool.
http://www.inksupply.com/workflow_roark.cfm

Currently, the main vendors for quadtone inks are MIS Associates,
Piezography, and Lumijet. Check their web sites for lists of currently
supported printers.

http://www.completedigitalphotography.com/index.php?p=32
http://www.inkjetmall.com/store/piezok7/piezography-neutral-k7.html


Additional Quad Tone Printing Resources

http://www.basearts.com/curriculum/files/QuadTonePrinting/




Midterm postponed to Thursday

I've had a family emergency and will not be in class on Tuesday.

Please use the lab time to complete the assignments for Midterm and I'll see you on Thursday.

  Week 9


Mid Term Critiques

Evaluation Form <-- click here
(Please Complete and Submit from your home system)


All assignments scheduled in advance of midterm should be backed up to the mobile drive.

10.24.06 Week 10

Lecture:

Digital Photography

 


Lab:

Assignment:

#5 - 5 Images / Series - Sequence

Reading:

Processing a Digital Image - Handout

Artists:

Eadweard Muybridge
Duane Michaels
Robert Frank - "Pull My Daisy" in the Library Rm 2015 @ 2:00
Fredrick Sommer


Search Sites:


The artists.org

major modern & contemporary visual artists

artists and art, the-artists.org, the major modern & contemporary visual artists, each artist with portrait, brief biography, links to articles, essays and artist interviews; original art, limited edition art prints, photography and poster art, paintings, multimedia and artist's books & cultural tours.
http://the-artists.org/artshop/photography.cfm


B&H - Flash Gel and Diffusion Samples

This book has a lot of filters for diffusion.

http://www.bhphotovideo.com/bnh/controller/home?O=productlist&A=details&Q=&sku=45184&is=REG

This book has more colors.

http://www.bhphotovideo.com/bnh/controller/home?O=productlist&A=details&Q=&sku=45189&is=REG

Only have to pay $.01 plus shipping ($4), no gimmick.


Lomographics.com

Deviant Art
http://www.deviantart.com


Device/Paper Profiles - additional printing resources

Color Field Guide - how to install and apply
Epson's ICC Profile Guide

Red River Paper -How to Install and apply profiles.Epson(PC)
Red River Color Profiles -How to Epson(MAC)

Processing a Digital Image - best practices/printing - Handout - Processing a Digital Image.pdf

10.31.06 Week 11

Lecture:

"Eadweard Muybridge: Motion Studies" -
Films of Charles and Ray Eames - "Powers of Ten"
Tuesday - 2:00 in Conf. Room

  • Donald Duck In Mathmagic Land

    27 min 27 sec - Jul 3, 2006
    Average rating:   (85 ratings)
    Description: Disney used animation here to explain through this wonderful adventure of Donald how mathematics can be useful in our real life. Through this journey Donald shows us how mathematics are not just numbers and charts, but magical living things.

    Good explanation of the Golden Section compliments of Bee.

 

Lab:

  • Elements of Composition

    -tone

    -color
    -light
    -balance

    -line
    -framing

  • Lighting

- Utilizing Ambient Light
- Backlight
- Flash Modes

Reading:


ARTSEDGE: Formal Visual Analysis: The Elements & Principles of Composition


Description:
Formal analysis is an important technique for organizing visual information. In other words, it is a strategy used to translate what you see into written words. This strategy can be applied to any work of art, from any period in history, whether a photograph, sculpture, painting or cultural artifact.

http://artsedge.kennedy-center.org/content/3902/

Artists:

Sharon Lockhart


Search Sites:

www.lightwork.org
11.7.06 Week 12

Lecture:


Artist Lecture Series: German Herrera

12:00 Thurs. Room 102
---
German will be joining the class after the lecture for an informal discussion around his work, processes, technique, process technique and other things.

Please review the site link below so that you are up on his work and prepared to discuss.

http://www.germanherrera.com/

Example questions for the discuss may include but are not limited to:

Does he use photoshop?
What size flash card does he prefer?

Lab::


Tuesday
Chris Marker - La Jete - in Rm 129 @ 2:00


11.14.06 Week 13
Lecture:

Digital Video


Lab:

Assignment:
2-5 sequences playing in some loose form with the concept of time /progress/ process.
Convert to multi-frame gif file and submit to mobile drive.

Reading:

Artists:

Hollis Frampton
http://en.wikipedia.org/wiki/Hollis_Frampton

Stan Brakhage
http://en.wikipedia.org/wiki/Stan_Brakhage
http://www.criterionco.com/asp/release.asp?id=184

Maya Deren
Meshes of the Afternoon, 1943
http://www.youtube.com/watch?v=WwPVmkCA1PM&search=maya%20deren
Ritual in transfigured time, Maya Deren, 1946
http://www.youtube.com/watch?v=xrWNXLPFz40

Search Sites:


Amateur
Batería, piano y Stop Motion - 03:12
Zapper: milinkito
Fecha: 08/11/06 14:04
Visto 130886 veces
http://www.zappinternet.com/?video=fodCyoDmiV

11.21.06 Week 14

Lecture:

Digital Audio


Lab:

Reading:

Artists:


Steve Reich
Luc Ferrari
John Cage
Matmos



Frederick Sommer

The Photographs fo Frederick Sommer: A Centennial Tribute - Sept. 2005

http://www.getty.edu/art/exhibitions/sommer/

Frederick & Frances Sommer Foundation:

We have to educate our perception; it has to be gathered and shepherded, and it needs something to graze upon.

Frederick Sommer
Art and Aesthetics, 1982


http://www.fredericksommer.org/links.html

In 1934, Frederick Sommer’s wife, Frances, was hired by the State of Arizona and sent to University Southern California, for six-months of training in social work. Frederick accompanied his wife to Los Angeles. When she was in school, he spent time in the various libraries affiliated with the City of Los Angeles Public Libraries. In a library dedicated to music, Sommer encountered original musical scores, drawn by the composers.

Having been raised with an appreciation for opera and classical music, Frederick Sommer began to explore the correlation between the way great music sounds and the visual qualities of scores that are being played. Although he had not been taught to read music, he was quick to note that the music he most respected and enjoyed also had the more elegant scores.

http://www.fredericksommer.org/index.php?category_id=13&gallery_id=

Search Sites:
11.28.06 Week 15

Lecture:

Audio continues...

Web

Lab:

Assignment:

Submit 3 sounds in any form for digitization.

Reading:

Digital Video Primer - pdf

Tape Log Template - pdf

Artists:

Paul DeMarinis

Pierre Boulez
Erik Satie
Brian Eno
David Byrne

Search Sites:
Digi Design ProTools
http://www.digidesign.com/
Sonic Foundry
http://www.sonicfoundry.com/

12.04.06 Week 16
Lecture:

Copyright



Lab:

Exhibition of "It's Raining", collaborative video.
http://www.basearts.com/curriculum/SSULib/ssu2nd.mov

Reading/Search Sites:

Creative Commons is a nonprofit organization that offers flexible copyright licenses for creative works.
http://creativecommons.org/

Electronic Frontier Foundation
http://www.eff.org

Intellectual Property Online: Patent, Trademark, Copyright

http://www.eff.org/IP/

U.S. Copyright Office
http://www.copyright.gov

Digimarc
www.digimarc.com
http://www.digimarc.com/mypicturemarc/

The Free Expression Policy Project
http://www.fepproject.org/fepp/fairuseintro.html


Photographer Turns MySpace Infringement Into Art Show
December 07, 2006

By Daryl Lang, PDN Newswire

Having seen his photo ripped off on lots of amateur web sites, photographer Arthur During
has embraced the irony of it, and created an exhibition of the infringements.

http://www.pdnonline.com/pdn/newswire/article_display.jsp?vnu_content_id=1003494255

12.12.06 Week 17

Final

Tuesday, Dec. 12 2 p.m.-3:50 p.m.

Student Work Library

Final Exam is here ---:) > TEST

---

Artist:


Jonas Mekas
Rhizome News
December 8, 2006
Lights, Camera, Subscribe
Move over Ze Frank, legendary experimental filmmaker Jonas Mekas is gearing up to start an ambitious video podcast project in 2007. Mekas plans to make a 3-7 minute video each day of year that will be available as a free podcast download. The content will most likely be in the personal diary style the artist has developed over his long career. -- A style which often includes hand-held cameras, voice overs, and music; is often set in New York City; and is always brilliantly edited and ineffably poetic. As with his previous work, which is smattered with guest appearances by the artists' famous friends (John Lennon, Allen Ginsberg) the new podcast is rumored to have guest spots by the likes of Martin Scorsese and Jim Jarmusch! Follow the link below to get a glimpse of Mekas' past films and subscribe to his newsletter for announcements on the upcoming podcast. - Rick Silva

http://www.jonasmekas.com/Merchant2/merchant.mvc?Screen=CTGY&Category_Code=CND
http://www.jonasmekas.com/
http://www.jonasmekas.com/Merchant2/merchant.mvc?Screen=CTGY&Category_Code=JMW