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ARTQUEST PHOTOGRAPHY - Beginning
Room

Class Schedule:
 
MON.-FRI.PERIODS 1st and 2nd

Instructor:
  John Sappington - email address: jsappington@srcs.k12.ca.us

PHONE: 707-332-0987 MOBILE / __ CLASSROOM

Syllabus (this document) http://www.basearts.com/artquest/indexBegPho.htm

Submitted:

Welcome Letter and Guidelines :

Program Outline:


-----------------------------

Photography Classroom Rules

No eating, drinking or chewing gum in class.
No CD players, iPods, cell phones or other electronic distractions during class time.
Cell phones must be turned off during class time.
You may not leave classroom without a pass.
No writing on desks or in books. This is “Destruction of School Property” and is a serious offense.
Certain equipment requires prior permission before use. When in doubt-ask.
Return all equipment (including developing tank and components) to their proper place clean (and dry if possible).
Pick up all trash around and in desk.
Wash desktops with spray and sponge at the end of each class.
Stack seats at the end of each class.
Knock before entering Darkroom Door .
No more than 3 people at a time through door.
Pass through doorway without any stops.
Do not stop rotation of door from classroom or darkroom.
Do not lean on door walls.

Darkroom


Sign up for an enlarger at the beginning of the period.
Use only the enlarger to which you have been assigned.
No visiting in the darkroom.
Anyone entering darkroom must get prior permission to do so from teacher.
Always use the proper tray when transporting a wet print or test strip.
Fixer stains, so dress accordingly.
Do not play with Eye Wash.
Make every effort to retrieve all test strips and prints before the end of class.
Clean up the enlarger area after use
Put away all equipment.
Wash down baseboard
Return enlarger to a height of 16 inches
Zero out the timer
Empty drawers of all unused test strips.
Clean up trash both around the enlarger and on floor.

This is a great classroom/darkroom and we want it to stay as clean and efficient as it is for many years. Please do your part!
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IMPORTANT DATES: 

Please mark your calendar for these important dates: Wednesday August 31 : AQDA forms & Lab Contributions are due.
Please contact teacher for scholarship information or extensions. 

Back to School Night September 14th - 6:30-9pm

October 5, 6:30 pm: “ArtQuest 23rd Annual Fall Showcase of Programs”, beginning at 6:30 pm in the Auditorium.  This is an evening for prospective students and families, to find out more about the opportunities ArtQuest has to offer, as well as current ArtQuest families to learn more about the program.  Please plan to attend and also help us spread the word. Early application is highly recommended due to limited space. 

Tuesday October 17th to November 9th , “Shadowing”,
ArtQuest offers students interested in the ArtQuest program the opportunity to "Shadow" a specialty for a day. Shadowing is by appointment only. Call (707) 535-4842 for more information and to schedule your student. Monday through Thursday.

ArtQuest Application Deadline for Fall 2017 Entry Priority Deadline is November 13, 2017


CYBER AND ERGONOMICS SAFETY README
http://www.basearts.com/handouts/readme.htm

Online Photography Resources

CURRENT News and Events Blog:
http://blog.basearts.com

Class Notes
http://www.basearts.com/curriculum/notes/

Generalized Selection of Photo resources available online and local
http://www.basearts.com/curriculum/Res.Photo.htm

A broad spectrum list of working/historical photographers
http://www.basearts.com/curriculum/photographerslisting.htm

A recommended reading list centered around photography and imaging
http://www.basearts.com/curriculum/Res.ReadingList.htm

basearts selection of resources lists
http://www.basearts.com/curriculum/resources.html



Weekly Lecture/Lab Schedule
(subject to change)

Week
1
/ 2

Lecture:
Syllabus Overview - Expectations, Requirements, Objectives, Best Practices.
Department and Facilities Policy Review and Tour
Begin fundamentals of visual phenomenology

Camera Obscura
Camera Lucida
Camera Fundamentals

Assignments:

Sketchbooks
View Finders
- Active Seeing
- 5 Thumbnails - SRHS
- 5 Thumbnails - HOME


Reading/Handouts:

Focus on Photography - Chapt. 1
ArtTalk
- Chapt.1 - Percieving and Function of Art

Review Online Syllabus

Review Internet Resources

Artists:

Niepce
Daugerre
Muybridge
Minor White


Week 3
8.28

Lecture:

Pinhole:

Make Pinhole
Select Camera
Make cut
Reduce reflectance
Seal for light leaks
Install pinhole

Lab:

Pinhole
- design / construct / test


Assignments:

Artists:
Jo Babcock
Man Ray


Reading/Handouts:

ArtTalk - Chapt. 2 -
Elements and Principles -->commit to sketchbook/memory

-------------

Oatmeal Box Pinhole Photography by Stew Woodruff
-
How to Make and Take Pictures With Pinhole Cameras Made from Oatmeal Boxes
http://users.rcn.com/stewoody/

The Pinhole Gallery
http://www.pinhole.org/

Photo.net
http://www.photo.net/learn/pinhole/pinhole



F64 - AQPhoto Club - Meets this Wed. at lunch in Room 23
Week 4 9.4

Lecture:

Beginning Darkroom
Chemistry
Best Practices

Lab:

Pinhole | First Exposures



Assignment:

Develop Pinhole : First exposures
Elements to Sketchbook Pages - Collage / Montage

Reading/Handouts:

FonP - Chapt. 2 -
Elements and Principles


Artists:

Week 5 9.11 Lab:

Pinhole | First Exposures
Assignment:

Develop Pinhole : First exposures
Elements to Sketchbook Pages - Collage / Montage

Reading:

Focus on Photo: Chapts. 3 and 4

Artists:

Eugene Atget
Eastman House Collection: http://collections.eastman.org/advancedsearch/objects/peopleSearch%3Aatget
Wiki:https://en.wikipedia.org/wiki/Eug%C3%A8ne_Atget

Moholy - Nagy
Foundation: http://www.moholy-nagy.org/
Wiki: https://en.wikipedia.org/wiki/L%C3%A1szl%C3%B3_Moholy-Nagy

Week 6
9.18

Lab:
Direct Positive Exposures - beginning SRHS Thumbnail Images

Lecture:

Pictorialism and Stieglitz

Sketchbook :
Art Talk - Study Guide - Chapt. 2 Art Criticism
Art Criticism Handout



Assignment:

Art Talk - Study Guide - Chapt. 2 Art Criticism

Reading/Handouts:

Direct Positive Paper Specifications Sheet

Artists:

Walker Evans -
wiki : https://en.wikipedia.org/wiki/Walker_Evans
http://www.getty.edu/art/collection/artists/1599/walker-evans-american-1903-1975/

CURRENT EXHIBITION AT the SF Museum of Modern Art
https://www.sfmoma.org/exhibition/walker-evans

Alfred Stieglitz
wiki: https://en.wikipedia.org/wiki/Alfred_Stieglitz
http://www.metmuseum.org/toah/hd/stgl/hd_stgl.htm
http://www.theartstory.org/artist-stieglitz-alfred.htm
Week   Lecture:

Lab:

Assignment:
Artists:
Harry Callahan
Immogen Cunningham
Nan Goldin
Richard Misrach
Mark Klett
Karl Blossfelt
Eudora Welty
Stephen Shore
William Klein
W. Eugene Smith
Pablo Ortiz Monesterio
Sophie Calle


Photograms - object compositions - 10 pnts

Consider an assortment of objects that you would like to construct 3-5 compositions with ... translucent and reflective objects make for interesting shadow and outlines, light streaks etc...

Photograms and Montage works... Online Click Here



Week   Lecture:

Artists:
Harold Edgerton
Irving Penn
Bruce Weber
Dieter Appelt
John Divola

Uta Barth
Lab:

Assignment:
 
Week   Lecture:

Artists:

John Baldessari
Sally Mann
Sherry Levine
Moriyama Daido
Lab:

Assignment:
 
Week   Lecture:

Artists:
J. John Priola
Aziz and Cucher
Michael Light
Regan Louie
Linda Connor
Henry Wessel
Lab:

Assignment:
 
Week 9  

Lecture:

Artists:
Margaret Bourke-White
Annie Liebovitz
Yosuf Karsh
Lee Friedlander
Richard Prince
Fredrick Sommer
Duane Michaels
Mary Ellen Mark

Lab:

Assignment:
 
Film Development Quick Reference




Lecture:

Printing Procedures :

Contact Sheets
Test Stips
Multi-Contrast Filters
Burning and Dodging
Multi-Contrast Filters

Assignment:

Contact Sheets of Bracket rolls - 10 Pnts

Shoot 1 roll minimum per week
Work Prints now through week 8

Lab:

Darkroom Orientation
Preparations for printing- Photograms

Printing Quick Reference

Printing - Contact Sheets - Photograms







Reading/Handouts:

The Decisive Moment - Cartier-Bresson

Reading/Handouts:

Leaflet, Written for Los Angeles Museum - Edward Weston

ARTSEDGE: Formal Visual Analysis: The Elements & Principles of Composition
Description:
Formal analysis is an important technique for organizing visual information. In other words, it is a strategy used to translate what you see into written words. This strategy can be applied to any work of art, from any period in history, whether a photograph, sculpture, painting or cultural artifact. http://artsedge.kennedy-center.org/content/3902/

Photo Alliance
http://www.photoalliance.com

The Lomographic Society - http://www.lomography.com/
http://www.lomography.com/about/
Welcome dear photo-adventurer. you are just about to discover the most interactiv, vivid, blurred and crazy face of photography worldwide. we heartily and most warmly invite you to dive into our unique online photo-features, to taste our cameras and -most of all- to become a lomographer. help us to simply build the biggest snapshot portrait of our planet and to revolutionize the picture communication from the hip. prost.




Pushing Film allows you to shoot in lower light situations.

This solution essentially fools the light meter by setting it at a
higher ISO or ASA rating and then overdeveloping the film in
order to compensate for the underexposure.

Although your experiences may vary somewhat - here is a good starting base for pushing:

400 ASA pushed to 800 ASA - 50% overdevelopment - 10 minutes normal development time = 15 minutes.
400 ASA pushed to 1600 ASA - 100% overdevelopment - 10 minutes normal development time = 20 minutes.



Object of Art - Total point = (10 pnts)

Select an object- must be larger than 1/2 your body size, no larger than you are able to carry.. Choose a location for placement of said object and photograph. Includes developing a written thesis of the object and how you have photographed and presented it. Alternative methods in the final presentation are incouraged with review and approval by instructor.

Make a minimum of 36 exposures of the object of art from a variety of vantage points, angles /lighting situations or conditions, utilizing various lenses if required or desired. Utilize any tool at your disposal in both the shooting, development, printing, or presentation processess.



Week 10
 

Lecture:





Lab:




Reading:



Week 11  

Lecture:


Critique:



Reading:

Artists:


Week 12
 

Lecture:



Lab:

Assignment:

Reading::


Artists:

Week 13
 

Lecture:





Lab:




Reading::

Artists:
Week 14  



Lab:




 




Reading:


Artists:



Week 15  


Lecture:



Lab
Week 16
 

Lab:

Assignment:


Week 17  

Lab



Wear Good Shoes, Advice from Magnum Photographers